
At first I Would think something like "Beat them up"
But then I remembered what type of people the state government hires to do these gracious things for us.

I believe that the most powerful photo in the sideshow was the one where he was holding the cross in his hand. I believe this because most it focuses mainly on the cross and nothing else.



I see again poverty at its work. people stare and wonder, "what if that were me?". the man lays down on the hard concrete out in front of a liqour store unsure why he is here, and why shouldn't he deserve to be like everyone else. I smell city air. musty, dirty unclean city air. people here are used to it, but it disturbs me that everyone can breath in this contaminated oxigen. I hear the city streets bustling about with their nomal, everyday, repetitive lives. I feel the sweet spring air. the rays of sumlight beat softly against my skin making instinctivly stay out of the shade. I taste a faint hint of liqour. the man on the ground reeks of it. It is early morning around and there is still remenecense of the previous night and all its inhabitants with a few traces of shattered bottles of shame.
characterized by the absence of distinguishing qualities or features. lacking positive attributes. (dull, lifeless, negative.)


Lee Friedlander was born in America on July 14, 1934. He was well known for his photography and artistic abilities. He went to the Art Center College of Design of California, where he honed and developed his skills to a Master level. After his Schooling, He Moved to New York City, Where he took pictures of Musicians, specifically jazz players, for record covers. he has written a book called stems, which is about his life during his knee replacement surgery. some of his work recently has been displayed in the San Fransisco museum of Modern Art in 2008. he is currently retired and lives happily with his wife in the US.

This is an outstanding picture. Here you have the skyline in plain veiw, while the main focus, (the explosion on the towers) is perfectly places on one of the "thirds" axes while you still have a simple foreground of the park across the river.
this isnt the best of images, but it uses the lines in two ways to show two separate things. first off if you follow the lines downward, you will undoubtedly come across someone falling to their tragic death of the image. then if you follow them up, you will come across the fires on the upper levels of the building.
here we have a black a white picture of firefighters helping a man walk to safety. As you can see, they are strategically placed on the right side of the picture, bringing them into the main focus, while still giving some background to portray the image.